Golden Cloud Tapes
Working one’s way through the outsider label Golden Cloud Tapes is to sometimes find oneself in a seemingly endless corridor, sometimes in a cathedral of sound.
Italian filmmaker Dario Argento once said, “Horror is like a serpent; always shedding its skin, always changing. And it will always come back.” Golden Cloud Tapes, the label from Madison, Wisconsin, comes off as equally present and versatile. The imprint was launched in 2010 with Secret Parking Lot, the enigmatic debut from Samantha Glass. Behind the pseudonym is the skateboarder and self-confessed Rihanna fan Beau Devereaux, who on the one hand runs the label and on the other, as an artist, wears many skins: as Anvil Dome, Victor Portsmouth, Roan Linden, and even Samantha Glass, he produces mystical sound landscapes. Glass’ milestone albums Mysteries from the Palomino Skyliner and Surface Water Perception have even been released on the labels Not Not Fun Records and Sacred Phrases, respectively. Devereaux repeatedly brings the listener into a trance-like state—the conscious world loses focus and they suddenly find themselves in an endless corridor of beguiling echoes and distorted guitars. Should they suddenly regain awareness, they’ll soon be released from Devereaux’s voice, penetrating as if through a thick fog. This apocalyptic trip is just one of many positions found in the universe around Golden Cloud Tapes.
Take, for example, the 2014 album The Vitrine of Blindness from Robert Anthony alias Sleep Museum. For over ten years, this Brooklyn-born musician has produced dark and mostly rhythmic synthesizer noise that bore deep into listeners’ ear canals. Anthony sees his work as building musical cathedrals: filtered arpeggios, dusty pads, and raw bass lines dance like bats around one’s face. While wandering astray here, primed for adventure but in search of the exit, the listener nears the album’s end and finds the illuminating title: “We Are Here.” A ghostly voice wants to tell us that we’ve arrived.
It’s uncertain what skins Devereaux and Golden Cloud Tapes will slip into in the future. What is certain is that future releases will continue to surprise.
During the "Charmlore – Keepsake Of History" event on April 19th at Theaterhaus Gessnerallee Zurich, we showcased music videos and audiovisual works themed around Terminal Architectures through our exhibition format E.N.C. The screening included works by BOD [包家巷], Chino Amobi, Hannah Rose Stewart, Mark Leckey, Rustan Söderling, and VISIO.
Sabiwa is an experimental electronic composer and performer from Taiwan. She produces, records, and dissects sounds and videos from natural and synthetic sources, making them interact with complex textures and abstract patterns. Additionally, she also uses her processed voice as a guide in her soundscapes. As connecting elements, performances and DJ sets by Magari, Xafya, and Jauss will fill the dusty tunnel of Zurich’s iconic venue.
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A glimpse behind the scenes reveals an authentic parallel world that stands in strong contrast to the perfectly staged show. The scene as a whole appears unfinished, chaotic, and somehow improvised. Ultimately, everything is aimed at a specific moment that fades away after a certain time and only exists in our thoughts or in recordings in the form of sound, videos or images.
This is the kind of music I want to make with the "Wave Notation" series. because music is not only meant to be something which exists atone, What I am attempting to do, in an overall sense, can be called `sound design'. This includes the adjustment and regulation of sounds which are proper to an environment, along with the production and composition of the music within this series. Possibly, for a given environment, just one sound would be sufficient.
Just moments away from Johanna Odersky's album launch and the multifaceted exhibition set to grace Berlin's Projektraum Ashleys, I found myself immersed in conversation with the artist and musician at her studio nestled outside the bustling city. Together, we embarked on a journey exploring the nuances of spaces, emotions, and the transformative effects of sampling on her artistic practice.
FHTN 1123 is a grassroots project by Zurich-based music editor and Fromheretillnow curator Marc Jauss. Inspired by the tragic romance of “Sister Küngold and the Pale Knight,” an audio-collage of contemporary experimental music by selected musicians has been crafted.
Dreamcore.vol 1 captures the raw energy of an untamed underground music scene, that fiercely defies the tides imposed by the rapidly-evolving urban landscape. The compilation offers an atmospheric journey through obscure textures, distorted rhythms and vivid soundscapes and grasps subconscious aspects of collective experience.
JUNCTIONS:SYMPOSIA took place on the afternoon and evening of January 21st 2023, at Brasseries Atlas in Brussels. In the form of a symposium, cultural workers from Zürich and Brussels presented, performed and displayed work in order to initiate conversation and establish first contact with each other.
The first E.N.C event will take place in Zurich‘s Offspace Mikro and will show selected works that are the result of research on DIY aesthetics in non-commercial and contemporary music videos. The programme is offered as an audio-visual mixtape, highlighting works by local and international artists that include references to DIY methods in production and aesthetics.
Orlando is an ongoing formalist archival project dedicated to exploring the capacity for consecutive sounds, transcripts, images, films, and texts to affect one another according to their literal and thematic proximites.
There are many approaches to running a record label. Finding a niche and sticking with it is one, sprawling out into many different directions another. Yegorka’s mode of operation is the latter. The label is run by DJ and producer Tobias Lee Christensen aka Why Be and Dan DeNorch, who founded the now defunct party series and label Janus with Michael Ladner.
Imprisoned by an unreal site of frozen remains to a highly developed civilisation that seemed to have vanished entirely in view of these inhumane conditions we began a routine of expedition like walks and daily experimentations with musical equipment.
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The latest works of the young artist Sung Tieu are influenced by her visit to the mountainous region of Bạch Mã in her home country of Vietnam. Her prose and experiments on the traditional Vietnamese stringed instrument Đàn Bầu underlie the wordless universes created by the Hamburg musician and artist Christian Naujoks. His melancholic soundscapes are based on short, concise melodies and the use of relays and echo effects on the guitar.
After infinite hours listening to decomposing moldy tapes that i found in a metal box during a hike on the mountains near Glarus, i compiled a series of limited edition mixtapes that Ill be releasing in collaboration with fromheretillnow.
The Parisian musician Emma DJ recently released his sample album "Time To Medditate" on the Bandcamp platform. For this, he used all sorts of material from well-known or lesser-known musicians such as Sega Bodega, 50 Cent, D-Savage, Ariana Grande, Salem, Wintertime, LL Cool J, Bitsu, Dayna Simple, Thouxanbanfauni, or Lil Tracy. The album cover was designed by Marc Jauss and Jordi Theler.
The Zurich collective Kashev Tapes recently published the sampler Sonic Resistance in cooperation with the Polish platform Oramics.
Rare are moments like this: hearing Elephant Château's song "Dreamings" two years ago, I was instantly hooked. Who were the clever people that came up with this strange and beautiful music? A couple of months later, I met Mark van de Maat of label Knekelhuis in Amsterdam. He told me that Maxi Fischer and Matthias Orsett are putting together a compilation of Swiss electronic and experimental music. One thing led to another, and last spring I met up with Max Spielmann in Basel and in December again, this time joined by Johannes Vetsch, the other core member of Elephant Château.
Departures, a music video for Sky Walking directed with Hanna Schwarz, shows an underwater world whose movements appear to be remote-controlled by music. As the video progresses the surrounding aquarium becomes apparent with human figures observing this world as if on a touchscreen display.
during last years ctm/transmediale festival i met cera khin, berlin based artist and selector with tunisian roots, in a breezy-cold passage in front of the hardwax record store.
i remember this one cold october day in zurich. back then, i used to live in this spacious four room apartment in the middle of the city, which had a very modest interior, a guest-bed and an lo-fi stereo unit. my two french guests from paris, louis vial and cyrus goberville from collapsing market, didn’t need more to feel safe…
The imprint was launched in 2010 with Secret Parking Lot, the enigmatic debut from Samantha Glass. Behind the pseudonym is the skateboarder and self-confessed Rihanna fan Beau Devereaux, who on the one hand runs the label and on the other, as an artist, wears many skins: as Anvil Dome, Victor Portsmouth, Roan Linden, and even Samantha Glass, he produces mystical sound landscapes.