An Interview with Ashkan Soltani
the los angeles-based film director and author ashkan soltani shot a documentary about jandek together with craig matarrese about one of the most mysterious american musicians with a large international cult following. the film provides rare access to the elusive performer and an intimate examination of jandek's creative process. we have the chance to raise a few questions to soltani himself.
- when did you hear for the first time about the musician jandek ?
i first heard about jandek about 4 years ago when he performed at minnesota state university, mankato where i was teaching at the time. i did not know who jandek was prior to that.
- who is craig mataresse and how did you meet him ?
craig is the co-producer of this documentary also a former colleague at msu where i used to teach. he is also a superb bass player and jandek’s representatives had approached him earlier about playing bass at mankato show.
- what was your main inspiration to make the film ?
i would say it all happened very organic. craig and i discussed the possibility of filming the concert but we were not sure whether jandek would agree with that, knowing his history and the fact that he never appeared in any films or tv interviews before. however, to our surprise, he graciously gave us permission to document the rehearsal and his interaction with other musicians as well as the entire mankato concert. i think it was a mutually pleasant experience for all of us and as a result of that we pitched the idea of producing a documentary to jandek and the rest is history.
- jandek was interviewed the first time back in 2013 by david keenen for the wire.
you were there to film everything. how did that happen ?
yes! we were in minneapolis documenting the rehearsal and the concert. that was a year after our first filming session with jandek in mankato. we were working with him between those concerts including several days of extensive filming in houston, texas.
- what have been your personal highlight during the shooting ?
we had a wonderful time working with jandek. we had the opportunity to spend many hours discussing music, philosophy, etc with him. some of those moments are documented in i know you well. in general, the whole experience was very unique and pleasant as you may imagine.
- after chad freidrichs „jandek on corwood“ you are not the only filmmaker which set the focus on the musician. what is your personal opinion about that movie ?
it is a very interesting film but rather irrelevant to post-2007 jandek. in 2001, when that film came out, jandek did not perform live. jandek started to perform live since 2007. one other obvious difference is also the fact that jandek himself is in the film instead of people talking about him. in other words, "i know you well" focuses mainly on jandek as an extraordinary performer instead of commenting on his music.
- who is jandek? can you say that you know him well after finishing the movie ?
he is an unique american musician and performer. we hope more people learn about him and his distinct approach towards the music. we tried our best to capture that and make our film appealing to general audience as well as to his fans.
- is jandek we know completely demystified ?
not at all! jandek as a musician/performer is constantly evolving and i believe that this is what makes his projects refreshing and demanding. we did not want to demystify anything nor did we care about trivial information. that is not the point in i know you well.
- what are your future plans ?
i am currently producing two feature-length music documentaries that are in different stages of production. one is a documentary about the counterculture music scene in bulgaria in the past 50 years and the other project deals with the native american heavy metal and hip hop scene on the reservations.
- links: where to buy, watch etc ?
we have received many inquiries about releasing the film. we have finalized the distribution through two video on demand streaming providers and everything is ready to go. at this point we are waiting to hear back from the very last batch of film festivals in the short coming weeks. we can not release the film prior to the festivals otherwise the film will be disqualified. meanwhile please follow us on our facebook and twitter page for update. we are very confidents about releasing film in early summer.
During the "Charmlore – Keepsake Of History" event on April 19th at Theaterhaus Gessnerallee Zurich, we showcased music videos and audiovisual works themed around Terminal Architectures through our exhibition format E.N.C. The screening included works by BOD [包家巷], Chino Amobi, Hannah Rose Stewart, Mark Leckey, Rustan Söderling, and VISIO.
Sabiwa is an experimental electronic composer and performer from Taiwan. She produces, records, and dissects sounds and videos from natural and synthetic sources, making them interact with complex textures and abstract patterns. Additionally, she also uses her processed voice as a guide in her soundscapes. As connecting elements, performances and DJ sets by Magari, Xafya, and Jauss will fill the dusty tunnel of Zurich’s iconic venue.
Premiering the performance ELEKTRA (Scream Through the Eyes of a Statue) in 2018, the artist James K marked the beginning of her residency at ISSUE, NYC. Deeply rooted in a conscious art practice that has honed her peculiar aesthetic to the fusion of visual and sonic elements, with ELEKTRA, James K explored the female voice considering it as an "X-ray to the bones of sound."
'Echo Shelves' was a special evening that featured soundscapes by Nina Emge and Heith, presented by fromheretillnow in collaboration with the artist Dominic Michel and Istituto Svizzero. 'Echo Shelves' gathered thoughts on the scenic quality of public inventories and used objects, sound, and places as carriers of stories that continually transformed and extended themselves. The event symbolized the gradual fading of the current exhibition, marking a transition into a 'dark mode' that marked the exhibition's conclusion.
With the invitation to the PARA/SITE O. SINENSIS event, which was curated by Lhaga Koondhor, fromheretillnow responded with a selection of moving images and music videos that were focused on noise and the complex relationship between host and parasite.
A glimpse behind the scenes reveals an authentic parallel world that stands in strong contrast to the perfectly staged show. The scene as a whole appears unfinished, chaotic, and somehow improvised. Ultimately, everything is aimed at a specific moment that fades away after a certain time and only exists in our thoughts or in recordings in the form of sound, videos or images.
This is the kind of music I want to make with the "Wave Notation" series. because music is not only meant to be something which exists atone, What I am attempting to do, in an overall sense, can be called `sound design'. This includes the adjustment and regulation of sounds which are proper to an environment, along with the production and composition of the music within this series. Possibly, for a given environment, just one sound would be sufficient.
Just moments away from Johanna Odersky's album launch and the multifaceted exhibition set to grace Berlin's Projektraum Ashleys, I found myself immersed in conversation with the artist and musician at her studio nestled outside the bustling city. Together, we embarked on a journey exploring the nuances of spaces, emotions, and the transformative effects of sampling on her artistic practice.
FHTN 1123 is a grassroots project by Zurich-based music editor and Fromheretillnow curator Marc Jauss. Inspired by the tragic romance of “Sister Küngold and the Pale Knight,” an audio-collage of contemporary experimental music by selected musicians has been crafted.
Dreamcore.vol 1 captures the raw energy of an untamed underground music scene, that fiercely defies the tides imposed by the rapidly-evolving urban landscape. The compilation offers an atmospheric journey through obscure textures, distorted rhythms and vivid soundscapes and grasps subconscious aspects of collective experience.
JUNCTIONS:SYMPOSIA took place on the afternoon and evening of January 21st 2023, at Brasseries Atlas in Brussels. In the form of a symposium, cultural workers from Zürich and Brussels presented, performed and displayed work in order to initiate conversation and establish first contact with each other.
The first E.N.C event will take place in Zurich‘s Offspace Mikro and will show selected works that are the result of research on DIY aesthetics in non-commercial and contemporary music videos. The programme is offered as an audio-visual mixtape, highlighting works by local and international artists that include references to DIY methods in production and aesthetics.
Orlando is an ongoing formalist archival project dedicated to exploring the capacity for consecutive sounds, transcripts, images, films, and texts to affect one another according to their literal and thematic proximites.
There are many approaches to running a record label. Finding a niche and sticking with it is one, sprawling out into many different directions another. Yegorka’s mode of operation is the latter. The label is run by DJ and producer Tobias Lee Christensen aka Why Be and Dan DeNorch, who founded the now defunct party series and label Janus with Michael Ladner.
Imprisoned by an unreal site of frozen remains to a highly developed civilisation that seemed to have vanished entirely in view of these inhumane conditions we began a routine of expedition like walks and daily experimentations with musical equipment.
Based on the format of the live stream, 'fromheretillnow' offers insight into self-produced images and found footage, inviting viewers on a journey of new discoveries. Accompanied by musical pieces and exclusive tracks from individuals in our community, the stream provides a unique experience.
The latest works of the young artist Sung Tieu are influenced by her visit to the mountainous region of Bạch Mã in her home country of Vietnam. Her prose and experiments on the traditional Vietnamese stringed instrument Đàn Bầu underlie the wordless universes created by the Hamburg musician and artist Christian Naujoks. His melancholic soundscapes are based on short, concise melodies and the use of relays and echo effects on the guitar.
After infinite hours listening to decomposing moldy tapes that i found in a metal box during a hike on the mountains near Glarus, i compiled a series of limited edition mixtapes that Ill be releasing in collaboration with fromheretillnow.
The Parisian musician Emma DJ recently released his sample album "Time To Medditate" on the Bandcamp platform. For this, he used all sorts of material from well-known or lesser-known musicians such as Sega Bodega, 50 Cent, D-Savage, Ariana Grande, Salem, Wintertime, LL Cool J, Bitsu, Dayna Simple, Thouxanbanfauni, or Lil Tracy. The album cover was designed by Marc Jauss and Jordi Theler.
The Zurich collective Kashev Tapes recently published the sampler Sonic Resistance in cooperation with the Polish platform Oramics.
Rare are moments like this: hearing Elephant Château's song "Dreamings" two years ago, I was instantly hooked. Who were the clever people that came up with this strange and beautiful music? A couple of months later, I met Mark van de Maat of label Knekelhuis in Amsterdam. He told me that Maxi Fischer and Matthias Orsett are putting together a compilation of Swiss electronic and experimental music. One thing led to another, and last spring I met up with Max Spielmann in Basel and in December again, this time joined by Johannes Vetsch, the other core member of Elephant Château.
Departures, a music video for Sky Walking directed with Hanna Schwarz, shows an underwater world whose movements appear to be remote-controlled by music. As the video progresses the surrounding aquarium becomes apparent with human figures observing this world as if on a touchscreen display.
during last years ctm/transmediale festival i met cera khin, berlin based artist and selector with tunisian roots, in a breezy-cold passage in front of the hardwax record store.
i remember this one cold october day in zurich. back then, i used to live in this spacious four room apartment in the middle of the city, which had a very modest interior, a guest-bed and an lo-fi stereo unit. my two french guests from paris, louis vial and cyrus goberville from collapsing market, didn’t need more to feel safe…
The imprint was launched in 2010 with Secret Parking Lot, the enigmatic debut from Samantha Glass. Behind the pseudonym is the skateboarder and self-confessed Rihanna fan Beau Devereaux, who on the one hand runs the label and on the other, as an artist, wears many skins: as Anvil Dome, Victor Portsmouth, Roan Linden, and even Samantha Glass, he produces mystical sound landscapes.