sound art segments: Ela Orleans
Ela Orleans is a Polish musician now based in Glasgow, UK. She was a member of the pop collagists Hassle Hound, has played with various luminaries of the New York experimental and noise scenes, and is a composer for film and theatre. Over the course of Orleans' musical career, her catchphrase and short description of her music has always been "movies for ears." In her work, Orleans pushes her pastoral pop roots into more cinematic terrain, experimenting with carefully considered sound art segments, complex electronic textures, and orchestral flourishes. She has a number of solo recordings and numerous collaborative releases on labels such as All Saints Records, Warp, Parental Guidance, La Station Radar, Night People, Clan Destine Records, Twisted Nerve, and Staubgold. She is currently working on her upcoming LP with musician and producer Howie B. The record will be released on HB Recordings in spring 2015.
During the "Charmlore – Keepsake Of History" event on April 19th at Theaterhaus Gessnerallee Zurich, we showcased music videos and audiovisual works themed around Terminal Architectures through our exhibition format E.N.C. The screening included works by BOD [包家巷], Chino Amobi, Hannah Rose Stewart, Mark Leckey, Rustan Söderling, and VISIO.
Sabiwa is an experimental electronic composer and performer from Taiwan. She produces, records, and dissects sounds and videos from natural and synthetic sources, making them interact with complex textures and abstract patterns. Additionally, she also uses her processed voice as a guide in her soundscapes. As connecting elements, performances and DJ sets by Magari, Xafya, and Jauss will fill the dusty tunnel of Zurich’s iconic venue.
Premiering the performance ELEKTRA (Scream Through the Eyes of a Statue) in 2018, the artist James K marked the beginning of her residency at ISSUE, NYC. Deeply rooted in a conscious art practice that has honed her peculiar aesthetic to the fusion of visual and sonic elements, with ELEKTRA, James K explored the female voice considering it as an "X-ray to the bones of sound."
'Echo Shelves' was a special evening that featured soundscapes by Nina Emge and Heith, presented by fromheretillnow in collaboration with the artist Dominic Michel and Istituto Svizzero. 'Echo Shelves' gathered thoughts on the scenic quality of public inventories and used objects, sound, and places as carriers of stories that continually transformed and extended themselves. The event symbolized the gradual fading of the current exhibition, marking a transition into a 'dark mode' that marked the exhibition's conclusion.
With the invitation to the PARA/SITE O. SINENSIS event, which was curated by Lhaga Koondhor, fromheretillnow responded with a selection of moving images and music videos that were focused on noise and the complex relationship between host and parasite.
A glimpse behind the scenes reveals an authentic parallel world that stands in strong contrast to the perfectly staged show. The scene as a whole appears unfinished, chaotic, and somehow improvised. Ultimately, everything is aimed at a specific moment that fades away after a certain time and only exists in our thoughts or in recordings in the form of sound, videos or images.
This is the kind of music I want to make with the "Wave Notation" series. because music is not only meant to be something which exists atone, What I am attempting to do, in an overall sense, can be called `sound design'. This includes the adjustment and regulation of sounds which are proper to an environment, along with the production and composition of the music within this series. Possibly, for a given environment, just one sound would be sufficient.
Just moments away from Johanna Odersky's album launch and the multifaceted exhibition set to grace Berlin's Projektraum Ashleys, I found myself immersed in conversation with the artist and musician at her studio nestled outside the bustling city. Together, we embarked on a journey exploring the nuances of spaces, emotions, and the transformative effects of sampling on her artistic practice.
FHTN 1123 is a grassroots project by Zurich-based music editor and Fromheretillnow curator Marc Jauss. Inspired by the tragic romance of “Sister Küngold and the Pale Knight,” an audio-collage of contemporary experimental music by selected musicians has been crafted.
Dreamcore.vol 1 captures the raw energy of an untamed underground music scene, that fiercely defies the tides imposed by the rapidly-evolving urban landscape. The compilation offers an atmospheric journey through obscure textures, distorted rhythms and vivid soundscapes and grasps subconscious aspects of collective experience.